Monday, August 16, 2004

For as long as I've known Paul I've consistently offered up (usually misguided) musical advice to him. He is almost always kind enough to give a listen to, and weigh in on, whatever I'm recommending. In return, Paul generally points out books that I should be reading and video games that I probably should be playing. The whole system seems to work pretty well. Keeps us cultured, up to date, whatever.

In one rare instance of Paul laying some tunes on me, he offered up The Paper Chase around the release of their phenomenal sophomore album, Hide The Kitchen Knives. Whereas most music I stumble upon these days finds me dis-interested after a few weeks, The Paper Chase has again and again found itself on my playlists. My respect for this band has multiplied tenfold since I first found myself enamored with that shakey but disturbingly determined voice scream "YOU BETTER HIDE THOSE KITCHEN KNIVES!" out of my speakers two years ago.

I don't know why it took me so long to get myself a copy of their latest, God Bless Your Black Heart, but upon spinning it from front to back for the first time it's completely monopolized all of my listening time and playlist space. 90% an expanded Hide The Kitchen Knives concept, 5% Modest Mouse and 5% Connor Oberst, God Bless Your Black Heart is for anyone who likes their dementia sincere and honest or their heartbreak sickening and scary.

I listen to it more than the new Faint. More than the new Ted Leo. More than the new Interpol. Cure. Hives. Blah-blah. Blah-blah. Bands with visions and talent like The Paper Chase are an all-too-rare example of why music plays such a big part in my life.

So thanks, Paul. --

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